We love it because it’s simple to use and offers a lot of customisation in how you want the gate to work, from altering the ASDR to adding slides within the sequencer. That’s how you can create the ‘Trance Gate’ effect that’s well-known within electronic music – specifically trance music. It’s basically a ‘sequenced gate’ plug-in that will chop up any incoming audio stream.
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What’s the best free plug-in you own?Ī favourite free plug-in we own is the Alex Hilton A1Triggergate. Some samples we grab are really old and feature a lot of unpleasant frequencies which need to be processed. This is especially important for us as we like to work with a lot of samples. This plug-in does wonders to your mix – it suppresses any uncomfortable mid-high resonances using an in-built algorithm. We’ve seen quite a few people using this, including the Disclosure lads and a few other producer mates. The most recent purchase we’ve made that has been a total game changer is oeksound’s Soothe2 plug-in. In terms of Gradients, a lot of the industrial-sounding components were made using the Mode Machines ADX-1 drum machine. Something we like to do to our pads to give them extra flavour is add the Arturia Chorus JUN-6 plug-in to give it that vintage feel whilst adding movement. It’s an amazing bit of kit that has loads of potential to create all sorts of sounds as it has 24 oscillators to play with. If anyone has a bit of extra cash floating around, we’d recommend the Peak. We can certainly see some hectic dancefloor moments happening to these tracks! How was hardware used alongside plug-ins to create these two tracks?įor Traces, some of the pads we made using the Novation Peak. TIBASKO! We’re feeling Traces and Gradients.